Shillong, April 16: World Art Day 2026 was celebrated with cultural fervour in Shillong on April 15, blending the global artistic legacy with a tribute to 150 years of Vande Mataram, in a programme that brought together artists, scholars, and policymakers.
Held at Lok Bhavan, the event commemorated the birth anniversary of Leonardo da Vinci while also marking a milestone anniversary of the iconic national song that has long symbolised India’s freedom movement and cultural identity.
Former Meghalaya Assembly Speaker Charles Pyngrope attended as the chief guest, alongside senior officials and art practitioners including F. R. Kharkongor, Manaj Saha, Biplap Roy, R. V. Warjri and Raphael Warjri.
In his address, Pyngrope underscored the enduring role of art in shaping societies and highlighted Vande Mataram as a powerful artistic and cultural expression that inspired generations during India’s freedom struggle. He also described Shillong as a “natural canvas,” reflecting the region’s intrinsic artistic richness.
A memorial art exhibition featuring 40 artists from across the country was inaugurated during the programme, showcasing a diverse range of contemporary and traditional works.
Speaking at the event, Saha pointed to the untapped artistic potential of Meghalaya and the wider Northeast, noting that while the region’s artistic standards match national and global levels, greater institutional support and exposure are needed. He said the International Association of Art – India would work towards expanding platforms for artists.
Raphael Warjri, State Coordinator of the Meghalaya chapter, highlighted Shillong’s historical importance as a colonial-era administrative hub and a centre of socio-political evolution. However, he flagged the lack of adequate art institutions and galleries in the state, calling for a more structured ecosystem to support the arts.
The celebration also featured a series of art talks. Meghali Goswami spoke on the history of art in Meghalaya, while digital artist Shovin Bhattacharjee discussed the evolution of digital art in India. Prakash Kishore reflected on his artistic journey across the country, and Arak M. Sangma presented insights into Garo folk traditions.
The event concluded with an address by B. D. R. Tiwari, who explored the philosophical continuity of Indian art and the enduring resonance of Vande Mataram in the nation’s cultural consciousness.
The programme opened and closed with renditions of the national song by artists mentored by Silbi Passah, reinforcing the theme of cultural unity and artistic expression.
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